A Provation of the Wild: explores through the texts of "Brave New World" and "BladeRunner" humanity's returns to the wilderness.

Since the genesis of our existence humankind has been progressively distancing itself from nature. With the effects of pollution, disforestation and degradation of the environment dramatically increasing each decade, humanitys dissociation with nature has never been more apparent.

Aldous Huxleys Brave New creation and Ridley Scotts Blade Runner have extrapolated this idea of the disintegration in the relationship between humanity and nature, to create contrasting and dystopic environments, predicting the cataclysmic consequences a being devoid of a raw(a) nexus can have upon humanity. The texts reveal in different slipway the effect of human interference with natural processes and environments.

Aldous Huxleys vision of the forthcoming is one where natural processes and rhythms have been abandoned to make the world a more stable and prosperous place.

Both texts illustrate agonising dystopic futures where the materialistic, scientific and economic ways of thinking have been allowed to decimate the humanistic religious and philosophic ways of thinking, in the scream of progress. In both texts, the composers question this progress that they were witnessing in their declare individual contexts, and correspondingly warn future generations about swan away from humanitys natural beginnings.

Huxley and Scott criticise their individual contexts which, though half(prenominal) a century apart, deal with similar concerns for humanity and the natural environment.



Huxleys context was the aftermath of WWI, where depression and disillusionment saw European countries seeking alternatives to democracy, Totalitarianism. These extreme dictatorial forces promised stability, order and security entirely at the expense of the essential facets of humanity, that of emotions, freedom of choice, intellectual stimulation and an interconnected relationship with nature. Also, in 1913, Henry Ford founded kettle of fish production, maximum efficiency through monotonous conformity. These contextual elements bear out as the birth place for Huxleys Brave New homo, a text that satirically explores the irony of progression that is, in...

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