Othello The Moor Of Venice
All problems in the play grow from a sow in of passion. This seed is planted deep within the characters, it controls there all movement and action, there every thought. They are alienated in there own lives so completely that they cannot see anything external of their tiny boxes. Even Iago, supreme ringleader and puppet master, is trapped by a web of his own weaving because he became to problematical in his own schemes. They all care about themselves and those right off close to them, an apparently fatal flaw.
Othello, and his false accusations. The play ends with the sad death of Desdemona and Othello, a result not of Iagos deceit, but of Othellos covert jealousy, he accuses and accuses until he turns blue in the face. Yes, he had whatsoever proof but I believe he unfeignedly did love his wife, and he should have confronted her. Instead he became lost in his little green soul and murdered his lovemaking in a fit of rage, a fit of passion. headspring illustrated in his quote Tis he O brave Iago, direct and just/ that has such noble sense of thy friends wrong/ mebibyte teaches me... Forth of my heart (Desdemona) those charms, thine eyes, are/ blotted. / Thy bed, lust-stained, shall with lusts blood/ be spotted.
(Act V, film I, Line 34-36, 40-41).
Rodrigo, and his apparent gullibility. Near the end, Rodrigo is murdered by his scoop out friend Iago. Iago, who had lead him on for years. Iago, who had held Rodrigos wallet as his own. Iago, whos impart had been carried out by everyone but him simply because he was trusted. That Iago. Tush, neer tell me! I take it much unkindly/ That thou, Iago, who hast had my purse/ As if the strings...
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