To begin to understand the concept of the idea of a typical Australian as a bloke, we need to return to the beginning of the twentieth century and look at the national image produced by historians, writers, painters, publishers, and journalists such as John Archibald, Banjo Paterson, Edward Dyson, Henry Lawson, Tom Roberts, Arthur Streeton and Charles Conder, to name a few. These work force were relatively young at the turn of the century and were give away of the formation of a new intellectual community, a lord Bohemia in which they could see themselves as men act to their art. In this way, through both their professionalism and their bohemianism, they distinguished themselves from those educated middle-class laymen who were committed to cultural improvement and had dominated the cultural establishment since the atomic number 79 rushes (Whitlock, G. & Carter, D; (Eds.) 1992, p30).
The establishment of the Cannibal Club in Melbourne and the Dawn and Dusk Club in Sydney tended to be exclusive, elitist and solely for the intellectual gentleman. This male exclusiveness carried through to the provide where women were seen as equally out of place in the urban center clubs and in the country shearing sheds. This sexism arose because feminine values were linked with the legal opinion English type of respectability that these young bohemians loathed (Whitlock, G; Carter, D; p35).
From this national image emerged the confines typical Australian.
In 1955 the Australian News and Information Bureau distributed a tract stating that many Australians have a distinctive accent and atomic number 18 indicative of the image perceived by people overseas; this being a tall, lean, sun tanned stockman, a strong opal gouge or a crocodile hunter. Again all these images be inclined to be seen as being male (Whitlock, G; Carter, D; p46).
Attempts to define the typical Australian have been documented...
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