Read Act I of the play, then go to the assigning and listing at least two examples for each of the speech communication patterns you pitch found in Act I. Give the depiction and lineage number where you find each example. 1. Unusual contrive arrangement I could a tale unfold (I, v) In my minds eye (I, ii) It can non come to good (I, ii) It started same(p) a felonious thing (I, i) Leave her to heaven (I, v) More honoured in the permit out than the observance (I, iv) More in sorrow than in anger (I, ii) Neither a borrower, nor a lender be (I, iii) Not a mouse soul-stirring (I, i) O my adumbrative soul! (I, v) Something is rotten in the state of Denmark. (I, v) So untold for him (I, ii) There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. (I, v) This too too solid flesh (I, ii) To thine admit self-importance be neat (I, iii) 2. Omissions Tis bitter cold (I, i) Tis rightful(a): tis true tis pity, Tis now struck twelve; get thee to bed, Francisco (I, i) 3. rowing not quite our own (unusual words) That it should come to this! (I, ii) All is not well (I, ii) Frailty, thy soma is woman!
(I, ii) Give thy grammeghts no speech (I, iii) I am sick at heart (I, i) tis = it is; ope = circularize; oer =over; gi = give; neer = never; i = in; eer = ever; oft = a lot; a ~=he; een = even 1. Second individual pronouns: thou, thy, thine, ye 2. Verb inflection: second person thou + a-t, -st, or -est = thou art, thou seemest; may be undertake: thou seemst third person he, she, it + add -eth =... If you wish to get a full essay, order it on our website: !
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