'Baroque Agead\r'

'Tu se’ morta is a piece render by Orpheus attended by a basso figured bass after he is told of Eurydice’s death. Orpheus wants to bring her back from funny farm as he offers a distressed goodbye to the earth, toss and sun. The style of singing is candid and intended to bring a dramatic delivery to the audience. The bird poetry line is rhythmically unornamented and the phrases atomic number 18 more irregular. The verse is flexible because it is suggesting a grim and passionate farewell to the psyche he loves. To express this farewell, the margin call reaches the flood some(prenominal) divers(prenominal) measure and then drops away.Dido’s Lament is also accompanied by a basso continuo and has a piteous setting as well. The tune opens with a descending chromatic line, the ground bass, which is repeated cardinal dissimilar times throughout the piece. Dido repeats â€Å"Remember Me” several times as well also reaches the highest note of t he aria. The dynamics were incessant and not notated and the tempi were slow and constant. The charr who sang the song portrays a haunting and wistfulnessful predilection for the attendee. The song comes to a end point with a descending fiddle melody which expresses the tragedy.There are several similarities in these pieces. One of the briny similarities is that twain songs give the listener a haunting, sorrowful, distressed and dark feeling. Although adept song is expressing the sorrow of a loved 1’s death and the an some other(prenominal) is expressing the tragedy of superstar’s fate; they two format off a sad vibe. They both at one point or some other reach a climax and then drop, which keeps the listener amused and interested in the song. Tu se’ morta and Dido’s Lament are both accompanied by a basso continuo.Last alone not least, the texture of both of these pieces is homophonic. The main difference, in my opinion, is how differe nt they sound from one some other because one is interpret by a female and the other by a male. The deep, all-powerful voice of Orpheus as he sung Tu se’ morta compared to the high, hurry voice of the female who sung Dido’s Lament puts a whole new candidate on the songs. Even though both songs give a haunting feeling to the listener just the fact that one is a female and the other is male changed the mood slightly.In my opinion, it is impenetrable to point out many differences. All in all, both pieces were interesting. The intensity of both Tu Se’ Morta and Dido’s Lament were have and put the listener in the exact mood that they were portraying. Haunting, sorrowful, sad and depressed was the mood I felt after audience to both. Personally, Dido’s Lament was my favorite out of the two. Her chromatic notes which created tension and stress kept the song fascinating and the want to turn around more. In conclusion, both pieces were wonderful, besides Dido’ Lament was absolutely tremendous to the ears!\r\n'