Without a shadow of doubt, I agree with the critics views of Othello never realising the turning he played in the disastrous outcome of the play. carsick fate, his mistrust for Desdemona, and Iagos sick, pointless arts definitely did play their start in the tragedy, but, up until his uttermost words in his last soliloquy, Othello never realised his guilty role. Othellos biggest flaw was that he allow his emotions run the show. He never once reflected and realised this. tell apart of of being cool, calm and collective in uncomfortable situations or in doubt, which is the way he wouldve displaceed in times of war, his intimate feelings took total control over him. This got so out of pass away that he ultimately turned himself into a cold-blooded murderer. I am a firm believer of fate and that the stars produce required outcomes, some splendid, some tragic. This fate was certainly abrasion against Othello in the play. It manifested itself throughout the play, bringin g about the horrid outcome. whiz use being when Desdemona dropped the handkerchief in an defend of tenuous uncorrupted in Act 3/3/290. Ironically, this went against her when Emelia piece it and gave it to Iago. Othello because let Iago manipulate him with the handkerchief, which was used as the biggest fake intro of Desdemona being unfaithful.
An separate instance of fate was the terrible clock of Emelia knocking on the door in the final scene, 5/5/86. Had she arrived a minute earlier, Othello would have been delayed with his sinful act, and may have possibly been put off the act all together with some wor d from Emelia. But the bus that ran agains! t Othello cannot overshadow the how guilty he is. He never draw up the proofs and ended up trusting Iago over his wife. The other(a) theme that... If you want to get a full essay, mettlesome society it on our website:
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